刘启超, 戴国斌, 段丽梅. 2018: 近代中国“武侠”再造与“武德”型塑之研究. 体育科学, 38(5): 80-87. DOI: 10.16469/j.css.201805009
    引用本文: 刘启超, 戴国斌, 段丽梅. 2018: 近代中国“武侠”再造与“武德”型塑之研究. 体育科学, 38(5): 80-87. DOI: 10.16469/j.css.201805009
    LIU Qi-chao, DAI Guo-bin, DUAN Li-mei. 2018: A Study on the Reengineering of “Martial Arts” and Shaped “Wushu Morality” in Modern China. China Sport Science, 38(5): 80-87. DOI: 10.16469/j.css.201805009
    Citation: LIU Qi-chao, DAI Guo-bin, DUAN Li-mei. 2018: A Study on the Reengineering of “Martial Arts” and Shaped “Wushu Morality” in Modern China. China Sport Science, 38(5): 80-87. DOI: 10.16469/j.css.201805009

    近代中国“武侠”再造与“武德”型塑之研究

    A Study on the Reengineering of “Martial Arts” and Shaped “Wushu Morality” in Modern China

    • 摘要: 武术运动作为一项“增强人民体质, 振奋民族精神, 弘扬民族文化”的教育文化事业, 在国民身体与精神建设中发挥着重要作用, 在国家建设中具有重要意义。“武德”作为武术教育的重要环节, 其内容的实然与应然, 影响着民族精神的发扬, 也深具探讨价值。通过分析梁启超“武侠观”, 探讨近代中国知识分子在“国家话语”中对“武侠”形象的重新诠释, 展示“武德”价值塑造的历史谱系。研究认为:1) 近代中国的“武侠”形象并非一成不变的历史延续, 而是发生了适应时代的“重构”, 其承载的“武德”也相应发生了新的价值“型塑”;2) 梁启超从价值观、国家观、审美观3个方面, 将“以武犯禁”、“为独夫死, 报恩仇”、“一二侠”的“儒墨不载”的“游侠”形象, 改造为“尚武进取”、“爱国爱民”、“全民尚武”的“国之栋梁”的“民族英雄”形象, 完成了“武侠”由“重私义”的独立个体到“尚公义”的集体精神意象的形象重构;3) “武侠”新形象促进了国民“文武审美的复归”、“民族尊严的觉醒”、“社会责任的自觉”, 完成了“武德”价值塑造, 凝聚了国民精神, 形成了现代武德“爱国、进取、担当”的基本面貌;4) 近代以民族精神为核心的“武德”价值, 顺应了时代的发展, 成为国民教育宝贵的精神财富, 对当代学校武术教育具有重要参考价值。

       

      Abstract: As an educational and cultural undertaking that "carries forward the national culture and inspires the national spirit, " the martial arts movement plays an important role in building the national body and spirit. As an important part of martial arts education, " morality " has its content exactly and should influence the development of national spirit and has the value of exploration. Through the analysis of Liang Qichao's "Martial Arts Concept", this paper explores the creative transformation of modern Chinese intellectuals in the "national discourse" in the image of "martial arts", displays the historical pedigree of "martial arts" value creation and provides the history for modern martial education Reference, to provide reference for the transformation and innovation of traditional culture. The research shows that 1) The image of "martial arts" in modern China is not an unbroken historical continuation, but a "reconstruction" adapted to the times, and its "martial"; 2) Liang Qichao portrays the image of "Ranger", "Confucianism and Mohism", which are both "embezzlement by force", And transformed into the image of "national hero" as the "pillars of the country" of "taking the army in an ambitious manner, " "patriotic and loving the people, " and "invading the nation, " and completed the "martial arts" Reconstruction of image of collective spiritual imagery; 3) "martial arts" new image "and promote the national aesthetic return", "national dignity awakening" and "social responsibility", the virtue of value creation, embodies the national spirit, formed the basic features of modern wushu "patriotism, enterprising, responsibility"; 4) in modern times, the formation of the national spirit as the core of the "morality" value, conforms to the development of the times, become the precious spiritual wealth of national education, which has important reference value for modern school Wushu education. In virtue of the value of the "shape", to provide historical reference for the current outstanding traditional culture transformation and innovation practice.

       

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