On the Creation of Imagery in the Aesthetic Appreciation of Wushu Techniques

Aesthetic appreciation of Wushu techniques constitutes a vital element within the realm of Wushu aesthetics, with the creation of imagery being the underlying essence of this appreciation. This study delves into the aesthetic aspect of Wushu techniques by employing the principles of technical aesthetics and traditional Chinese imagery philosophy, dissecting the creation of imagery therein. We contend that Wushu techniques, serving as embodied skills grounded in the human form, hold a dual aesthetic value derived from both technical aesthetics and the crafting of imagery. The imagery structure within the aesthetic appreciation of Wushu techniques encompasses two dimensions: “meaning” and “image”. “Meaning” molds the intrinsic essence of these techniques, while “image” shapes the external manifestation of Wushu techniques. The fusion of “meaning” and “image” yields an imagery-rich world that exudes the vibrancy of Wushu techniques, creating a seamless blend between the subject and object. The imagery creation in the aesthetic appreciation of Wushu techniques can be categorized into three levels: “observing objects to capture image,” which represents intuitive perception and emotional resonance; “establishing image to convey meaning,” signifying the embodiment of spiritual significance and emotional connection; and “relishing image to understand the Dao,” delving into the metaphysical aspects of these images. Furthermore, this aesthetic appreciation of Wushu techniques includes two levels of imagery:“prototype imagery” and “transcendent imagery”. Prototype imagery is an innate and fundamental representation, reflecting the collective unconscious ties embedded within the cultural characteristics of Wushu techniques. The artistic conception of techniques surpasses mere imagery, and a genuine understanding of the world of imagery pursued by Wushu techniques is only achieved when one reaches the level of artistic conception “beyond the image”.